“Bach is thus a terminal point. Nothing comes from him; everything merely leads to him.”
Albert Schweitzer made some of his most memorable observations about Bach in the middle of the Africa, once he established his hospital in French Congo. This concert spins a gentle dialogue between Moya Henderson’s jaunty hoodwinks to Africa and Lansana Camara’s direct musical line from Guinea, West Africa.
J.S Bach, Contrapunctus from ‘The Art of Fugue’
L. Camara, traditional West African kora music
Moya Henderson (b. 1943), G’day Africa I (1990), II (1995), III (1995) and IV (2017/18) (WP)
ADULT $62, CONCESSION/MEMBER $52. UNDER-30 $30
This concert is generously supported by Claudia Hyles.