In its 45th season, the game-changing Canadian Brass has performed in virtually every major concert hall in the world, been seen by hundreds of millions of people on television, sold 2 million of its approximately 100 albums worldwide, and contributed nearly 600 new works and arrangements to the brass quintet repertoire. Renowned for genre-bending versatility and joyous performances, the award-winning Brass is almost single-handedly responsible for elevating the art of the brass quintet to what it is today.
Canadian Brass is made up of five extraordinary talents: visionary founder, tuba legend and business specialist Chuck Daellenbach plus four top brass stars—Caleb Hudson and Christopher Coletti (trumpets), Achilles Liarmakopoulos (trombone) and Bernhard Scully (horn). Beyond their unparalleled musicality, each player possesses the creativity, good humour and love of performing that is the ensemble’s hallmark.
Orit Orbach performs regularly as soloist with major orchestras throughout the world, including the Israel Philharmonic, Jerusalem Symphony, Boston Philharmonic, San Francisco Sinfonietta, Sofia Philharmonic (Bulgaria) , and Warsaw Philharmonic and the Hagen Symphony. She has premiered the Penderecki Clarinet Concerto worldwide with the Colorado Festival Orchestra. A specialist in Jewish music, Orit leads the “Eve’s Women” ensemble with whom she performs all over the globe, including the International Brooklyn Festival, Roskilde Festival Denmark, Johanesburg Festival, Oris Jazz festival and the Jewish festival, London, with tours in the U.S., Germany, Thailand , Vietnam, Spain, Yugoslavia and others.
Orit also specializes in Jewish music and leads the “Eve’s Women” ensemble with whom she performs all over the globe, including the International Brooklyn festival, Roskilde festival,Denmark, Johanesburg festival, Oris Jazz festival and the Jewish festival, London, and tours in the U.S., Germany, Thailand, Vietnam, Spain, Yugoslavia and others.
Simón Bolívar String Quartet
Created from within the Fundación Musical Simón Bolívar, the Simón Bolívar String Quartet is made up of principal musicians of the Simón Bolívar Symphony Orchestra of Venezuela. Each player brings a strong personality and individual musical character to the group, together combining to create a thrilling and multi-faceted ensemble with a unique flair. The Quartet arose from the need of its members to explore chamber music and the wealth of benefits it can offer, not only its musicians but also to the children and young people who make up the Fundacíon, led by José Antonio Abreu. The Simón Bolívar String Quartet has given concerts across Venezuela, throughout the Americas, Europe and Asia, performing in concerts as well as taking part in education and community events.
Ensemble Offspring are champions of adventurous new music. Presenting music from seminal chamber work to free improvisation, alongside the creation of striking interdisciplinary productions, the group embraces open-minded music making of all forms. Ensemble offspring is committed to exploring new ways of making music, engaging audiences and pushing the boundaries of what music can be.
Based in Sydney, Ensemble Offspring is led by acclaimed percussionist, Claire Edwardes, and features a core line-up of six of Sydney’s most well-regarded musicians; Lamorna Nightingale (flute), Jason Noble (clarinet), Veronique Serret (violin), Bree van Reyk (drum kit & percussion) and Zubin Kanga (piano). The group frequently expands to include other instruments, and collaborates across genres and art forms, including theatre, popular music, dance and opera.
Joining the BBC New Generation Artists roster this season, the Van Kuijk Quartet’s international accolades boast First, Best Beethoven and Best Haydn Prizes at the 2015 Wigmore Hall International String Quartet competition, First Prize and an Audience Award at the Trondheim International Chamber Music Competition, as well as becoming laureates of the Aix-en-Provence Festival Academy. Further to this, they join the ECHO Rising Stars roster for the 2017/2018 season.
Since their formation 2012, the ensemble is already an established presence in major international venues, performing at o.a. the Wigmore Hall in London, Tivoli Concert Series in Denmark, and at festivals in Cheltenham, North Norfolk, Lockenhaus, Davos, Verbier, Aix-en-Provence, Montpellier/Radio France, Evian, Auvers-sur-Oise, Stavanger (Norway), Concentus Moraviae (Czech Republic), Eilat (Israel) and the Haydn/Esterházy in Auditorium du Louvre (Paris). Upcoming appearances include Philharmonie (Berlin), Bayerish Rundfunk (Münich), Chapelle Royale (Brussels) and Musikverein (Vienna). www.quatuorvankuijk.com
‘Lisa Moore, an Australian pianist long based in and around New York, has always been a natural, compelling storyteller’ (The New York Times). Lisa Moore has released 9 solo discs (Cantaloupe, Tall Poppies, Orange Mountain) and over 30 collaborative discs (Sony, Nonesuch, DG, BMG, New World, ABC Classics, Albany, New Albion, Starkland, Harmonia Mundi). Lisa Moore has performed globally as a soloist and collaborative artist - with the London Sinfonietta, Chamber Music Society of Lincoln Center, New York City Ballet, Steve Reich Ensemble, American Composers Orchestra, Bang On A Can All-Stars, So Percussion, Australian Chamber Orchestra, Grand Band and Ensemble Signal. Her festival performances include Lincoln Center, BAM Next Wave, Graz, Tanglewood, Chautauqua, Gilmore, Huddersfield, Paris d'Automne, Hong Kong, BBC Proms, Southbank, Adelaide, Perth, Brisbane, Sydney, Melbourne Metropolis, Israel and Warsaw in venues such as the Royal Albert Hall, La Scala, Carnegie Hall and the Musikverein.
Praised by the New York Times and The Age for her “dynamic” and “powerful” performances, Ukrainian-born pianist Sonya Lifschitz is internationally recognised as one of Australia’s most innovative and creative musical voices. In 2015, Sonya made her critically acclaimed solo debut in New York’s BargeMusic series, with other season highlights including performances at the Banff Centre (Canada), the Melbourne Recital Centre’s Local Heroes and Spotlight series, the Melbourne, Darwin and Port Fairy Festivals, 3MBS Marathon, the Queensland Conservatorium of Music, and a collaboration between visual artist Angela Cavalieri, iconic Melbourne arts venue fortyfivedownstairs, and Sonya’s contemporary ensemble Press, Play, of which she is the co-founder and artistic co-director.
William Yang was born in North Queensland, Australia. He moved to Sydney in 1969 and worked as a freelance photographer documenting Sydney’s social life which included the glamorous, celebrity set and the hedonistic, sub-cultural, gay community.
In 1989 he integrated his skills as a writer and a visual artist. He began to perform monologues with slide projection in the theatre. These told personal stories and explored issues of identity. He has done eleven full-length works and most of them have toured the world.
William’s current work is photo based, doing performances in theatres and exhibitions in galleries. He has just converted three of his live performance pieces into films at the University of NSW. He does story telling workshops.
With Annette Shun Wah he has directed or helped to create six works for CAAP: Stories East and West, Stories Then and Now, Life Giving Stories 1 and 2, In Between Two, Who Speaks For Me?
Established in 1997, Brisbane-based Topology are established leaders in musical creativity in Australia, prolific creators of new original work, expert collaborators across genres and art forms and award-winning music educators. The ARIA Award-nominated quintet experiments with surprising combinations of music genres, theatrical staging and cross art form collaborations to create exciting, thought-provoking music experiences for audiences of all ages, backgrounds and tastes. Resident Artist at Brisbane Powerhouse, Topology has released 13 albums, produced countless evening-length works, presented an award-winning concert series, and toured extensively nationally and internationally. Topology are John Babbage (composer, saxophone), Robert Davidson (composer, bass), Bernard Hoey (composer, viola), Christa Powell (violin) and Therese Milanovic (piano). This unique combination of classically trained virtuoso musicians with a plethora of diverse musical backgrounds bring a distinctive flavour and soundscape to each new work.
William Barton has been playing didgeridoo for over 20 years where he first started to learn the instrument in Mount Isa, far north western Queensland. Working with traditional dance groups and fusion/rock jazz bands, orchestras, string quartets and mixed ensembles, William has been touring internationally since age of 15 years old. He has been involved with community engagement with audiences from an early age. William is a 2012 ARIA award winner for best classical album Kalkadungu.
Tamara Anna Cislowska is one of Australia’s most acclaimed and recognised pianists, and winner of the 2015 ARIA award for ‘Best Classical Album’ for her landmark recording, Peter Sculthorpe: Complete Works for Solo Piano (ABC Classics), featured as ‘Recording of the Month’ in BBC Music Magazine and Limelight Magazine. She has performed across five continents in repertoire from Scarlatti to Sculthorpe, winning international prizes in London, Italy and Greece, including the Rovere d’Oro. In Australia she was the youngest pianist to win ABC Young Performer of the Year at age 14, recipient of the Freedman Fellowship (2003) from the Music Council of Australia andan APRA-AMCOS Art Music Award for ‘Performance of the Year’ (ACT, 2012).
Elena Kats-Chernin is one of Australia’s foremost contemporary composers. She has created works in nearly every genre, from orchestral compositions to chamber and choral and for robotic instruments - among them pieces for Ensemble Modern, the Vienna Boys Choir, Sydney Theatre Company, Australian World Orchestra, Australian Chamber Orchestra, Australian Brandenburg Orchestra, and many of our symphony orchestras, as well as five chamber operas – including Opera Australia’s very first opera for television, ACCTA Award nominated (in category best music for television) The Divorce (2015) - featuring Kate Miller-Heidke, Lisa McCune, Marina Prior, and Meow Meow - and soundtracks to three silent films.
Her most recent premiere was a highly acclaimed "The Witching Hour" concerto for eight Double Basses for the Australian World Orchestra performed at the Sydney Opera House and at the Esplanade Concert Hall in Singapore. Her latest CD "Butterflying" (4 hands piano works with Tamara-Anna Cislowska, ABC Classics) reached number 1 on ARIA Classical Core Chart in September 2016.
Since the dawn of history, the human voice and the act of singing have been intrinsically linked with storytelling and the acquisition of culture. The Song Company belongs to a land whose first peoples used songlines and vocal music to pass knowledge and culture from generation to generation, and is proud to continue that tradition, in a unique way, sharing music from across western and non-western art traditions. The ensemble’s schedule includes a mix of national and international touring, a subscription series in cities across Australia, recording and broadcast projects, education activities, and special collaborative projects. From 2016, the ensemble has been led by Antony Pitts, succeeding Roland Peelman as the first new Artistic Director for a quarter of a century.
The Chinese Oriental Orchestra is a state-level professional performance group from Beijing. There are over 100 professional performers in the orchestra, at least ten of whom have senior professional titles and 8 are part-time professors or instructors of professional art colleges. The orchestra's participants have won numerous prizes for group champions from Guzheng and Xinzheng competitions at national and international level.
The orchestra has given more than 100 special performance concerts abroad and more than 300 inside China. In August 2013 it organized a concert featuring 2348 performers - a Guinness World Record for “the world’s largest and best Xinzheng concert”.
The Australian Voices
It is with high artistic energy that The Australian Voices commission and perform the works of Australian composers.
Recently The Australian Voices have recorded new works intended for “performance” on YouTube. Hamilton’s composition The 9 Cutest Things That Ever Happened (2013) has been viewed over one million times. In 2014 they made international headlines with a video of Rob Davidson’s Not Now, Not Ever! (2014), a musicalisation of Julia Gillard’s ‘misogyny’ speech.
Their album for Warner Classics (2012) was observed by Gramophone Magazine to "boast a crisp, resonant delivery of the sonic goods under Hamilton's confident direction." In 2013 they released an songbook with Edition Peters.
Recently the group has brought their distinct sound to China, the UK, Germany, USA and Palestine.
The Australian Voices are ensemble-in-residence at the Queensland Symphony Orchestra. In 2016 and 2017 TAV and QSO present a collaborative concert series.
Established in 2007, Ding Yi Music Company is recognised as one of Singapore’s most prodigious Chinese chamber music ensembles. Ding Yi Music Company places great emphasis on promoting new compositions for the Chinese chamber ensemble and has established the Composium, a triennial composition festival which includes a competition, symposiums, and performances, all of which are meant to encourage new compositions from local and international composers.
Under the direction of Music Director Dr Tay Teow Kiat and Conductor Mr Quek Ling Kiong, the chamber ensemble has garnered distinctions and prizes both locally and abroad. Comprising 20 of Singapore’s most dynamic, talented, and multiple award-winning musicians—most of whom have undergone professional training at the Nanyang Academy of Fine Arts—the group first drew national attention in 2008 by winning First Prize at the Singapore National Arts Council Chinese Music Competition. In the subsequent year, they emerged Champion at the prestigious Llangollen International Musical Eisteddfod held in Wales, United Kingdom, and more recently, clinched the Silver Award at the 28th Shanghai Spring International Music Festival.
Through the support of the National Arts Council, private patrons, companies and luminaries from the regional Chinese orchestra music scene, Ding Yi Music Company hopes to explore, discover, and create a unique sound for Singapore.
Shu-Cheen is one of Australia’s most delightful and sought-after sopranos. A multi-award winning international star, she brings to every performance a captivating presence that can move an audience to tears and then, within seconds, have them laughing like a child. Her vast repertoire starts with opera, oratorio, lieder, Chinese Folk and Art Songs, oriental folk songs and extends right through to popular musical theatre such as Andrew Lloyd-Webber and Gershwin.
Prize-winning Loo Sze-wang is the foremost sheng (Chinese mouth-organ) player of his generation in Hong Kong. He has been active both as a soloist and as a chamber musician, having been featured several times at the Hong Kong Arts Festival, the contemporary music festival Musicarama and Radio Television Hong Kong.
As a founding member of Chinese Music Virtuosi, a 6-member Chinese instrumental ensemble that performs both new and traditional works, Loo has performed at the Garden Festival in Warsaw, Poland, Melbourne Festival in Australia, Singapore Arts Festival, Buenos Aires International Music Festival in Argentina, New Vision Festival of Hong Kong, and the Chinese Composers’ Festival, among others. The group has also commissioned over a dozen new works, which include works that are scored for both Chinese and Western instruments.
A graduate of the Chinese University of Hong Kong and The Hong Kong Academy for Performing Arts, Loo’s sheng teachers included Chen De-ren and Cheng Tak-wai and he has also taken flute lessons from Timothy Wilson and Chan Kwok-chiu.
Andrew Ford is a composer, writer and broadcaster, and has won awards in all three capacities, including the 2004 Paul Lowin Prize for his song cycle Learning to Howl, a 2010 Green Room Award for his opera Rembrandt's Wife and the 2012 Albert H Maggs Prize for his large ensemble piece, Rauha. His music has been played throughout Australia and in more than 40 countries around the world. He was composer-in-residence with the Australian Chamber Orchestra (1992–94), Peggy Glanville-Hicks Fellow (1998–2000), Australia Council Music Board Fellow (2005–06) and resident composer at ANAM in 2009. In April 2014 he was Poynter Fellow and Visiting Composer at Yale University. A former academic, Ford has written widely on all manner of music and published eight books, most recently Earth Dances: music in search of the primitive (2015). He has written, presented and co-produced five radio series, including Illegal Harmonies and Earth Dances, and since 1995 he has presented The Music Show each weekend on ABC Radio National.
Rebecca Chan has performed all around Australia and internationally in many different roles as a chamber musician and orchestral guest principal or leader. She has played as soloist with many of Australia's major orchestras, including the Melbourne Symphony Orchestra, Adelaide, Tasmanian and Canberra Symphony Orchestras, Orchestra Victoria and the Australian Chamber Orchestra. Rebecca has been working recently as guest associate concertmaster with the Philharmonia Orchestra and is currently a member of the Australia Piano Quartet and the Hamer Quartet. She is also the recipient of numerous international awards, including prizes from the 2009 Asia Pacific Chamber Music Competition, ABC Young Performers Awards, the ANAM concerto competition and International Citta di Brescia Violin Competition. Rebecca was born in Melbourne and studied violin with principal teachers Alice Waten and William Hennessy at the Australian National Academy of Music, Sydney Conservatorium and Melbourne University, where she also completed degrees in Medicine and Arts.
Florian has played the violin since the age of five, and after absorbing the sound of gamelan in Indonesia, started formal training in Helsinki. He continued his studies at Chethams School of Music in Manchester, and returning to his Belgian roots at the age of 18, he enrolled at the Antwerp Conservatorium on viola. He completed his training under Walter Küssner at the 'Hans Eisler' Hochschule für Musik Berlin obtaining a Masters Degree with the highest distinction. As a soloist he has performed the Kancheli concerto, the Mozart and Bruch double concertos and most recently, Pierre Charvet’s ‘And death’ with the Cologne Philharmonie. A dedicated chamber musician, he has been a member of the Arsis4 Quartet, the Boccherini String Trio, and the European Chamber Academy. He is currently Principal Viola of the Brussels Chamber Orchestra, Principal Viola of the Gürzenich Orchester Köln and a regular guest with the Berliner Philharmoniker.
Coro is a semi-professional Canberra-based not-for-profit chamber music ensemble founded by conductor and composer David Mackay and singer Paul Eldon.
Coro follows the European festival chorus tradition of rehearsals and performance with a smaller ensemble and a commitment to note learning without the need for weekly rehearsals.
The group is committed to presenting interesting and diverse performances around Canberra, accessible to all ages, backgrounds and incomes: from the music of JS Bach to the 20th century dissonance of Arvo Pärt and sing-along carols at our annual 'Christmas in July' event on the first Sunday in July.
A member of Australia’s unique guitar quartet, Guitar Trek, Minh Le Hoang has toured extensively throughout Europe, Asia, toured for Musica Viva and appeared at major international festivals.
Minh won first prize in the 50th Tokyo International Guitar Competition having won the Adelaide Spring Guitar Competition in 2001. As a soloist and recitalist, he has given master classes and concerts throughout Australia, the United States and Southeast Asia and as well as making many appearances on radio and television.
As a devoted and respected teacher developing the talents of a future generations of musicians in Canberra. Minh is a private tutor at Canberra Grammar School, Canberra Girls Grammar School, Orana Steiner School. He is also teaching in the Australia’s leading guitar department at the Australian National University, School of Music where Minh has also served as acting Head of the Guitar department. minhlehoang.com
Luminescence Chamber Singers
Luminescence Chamber Singers is a virtuosic chamber music ensemble comprised of eight young vocalists. Since the ensemble’s earliest iteration in 2013, Luminescence has quickly gained a reputation for presenting exciting and excellent singing. The ensemble is under the collaborative artistic direction of its singers and performs a wide range of repertoire from the Renaissance to the 21st century.
Luminescence performs extensively in Canberra and the surrounding regions, including Goulbourn, Yass, Sydney, Port Macquarie and Newcastle. In 2014, Luminescence recorded a number of tracks for Sally Greenaway’s album Auburn and Nocturne, and in 2015, they performed with ARIA Award-Winning pianist and composer Sally Whitwell. In 2016, Luminescence toured New South Wales with acclaimed guest conductor and composer Gordon Hamilton, performed with sopranos Louise Page and Louise Keast, and worked extensively with Swedish-Australian musicologist and conductor Bengt-Olov Palmqvist.
In addition to their own concert seasons, Luminescence performs regularly in local concert series in venues such as the High Court, Parliament House and Wesley Music Centre, and delivers a variety of workshops to school and community choirs and is frequently engaged for collaborative projects and recordings.
Canberra soprano Louise Page is one of Australia’s most highly regarded and versatile singers, performing throughout Australia and Europe with groups such as the Vienna State Opera, Musica Viva, the ABC, the Australian Festival of Chamber Music, the Canberra International Music Festival, and most recently touring France and England with the Flowers of War project. She has appeared as a soloist with the Sydney, Queensland, Canberra and Central Coast Symphony Orchestras, the National Capital Orchestra and the Canberra Youth Orchestra.
In 2007 she received a Canberra Critics Circle award for music and was named the Canberra Times Artist of the Year. She has recorded ten CDs of music varying from Lieder to operetta, premieres of Australian music and Christmas songs. In the 2013 Australia Day Honours List she was awarded an OAM for services to the performing arts. louisepagesoprano.com.au
Darryl Poulsen graduated with distinction from the Conservatoria of Luxembourg, and Liège, Belgium, and holds the degrees of Doctor of Music and Master of Music from The University of Western Australia. He has worked extensively in: performance (from historical to contemporary), holding principal positions in Australian and European orchestras; and in academia, holding professorships in three Australian universities.
Numerous new works for horn have been commissioned, written for, and premièred by Darryl Poulsen. As a player of historical horns, he has performed and recorded as principal horn and soloist with leading ensembles in Australia, Europe and North America. His publications have included first English translations of seminal historical horn treatises.
Clive has been a singer all his life but started singing in earnest whilst studying for a music degree at Huddersfield Polytechnic after which he concentrated on pure singing at the Guildhall School of Music in London where he won the Gold Medal in 1977.
He has worked in the fields of opera and oratorio and since moving to Australia in 1987 he was a member of the Song Company until his retirement in 2014. Since then he has worked as writer and speaker for the Moorambilla Festival and with the renowned sculptor and artist Ken Unsworth.
Dr. Nicholas Ng is a composer, performer and researcher who appears nationally and abroad in diverse contexts from contemporary theatre and dance to art installations. Nicholas co-established the Australian National University Chinese Music Ensemble (2003) and edited ENCOUNTERS: Musical meetings between Australia and China, a book based on the festival that he curated while working at Queensland Conservatorium Griffith University (2010). He now teaches erhu at Sydney Conservatorium of Music in the newly established Chinese Music Ensemble course. Heard on ABC radio and published by Orpheus Music, Nicholas has written for The Song Company, The Australian Voices, Melbourne Symphony Orchestra, Chronology Arts, Art Gallery of NSW, Queensland Art Gallery, QL2 Dance, Griffin Theatre and Performance 4a. Current theatrical productions in progress include ‘Descendants of the Dragon’, ‘Slow Boat’ and ‘The Bone Feeder.’
Zubin Kanga is a London-based Australian pianist and researcher. He has performed at many international festivals including the BBC Proms, Cheltenham Festival (UK) Melbourne Festival, Metropolis Festival (Australia), IRCAM’s Manifeste Festival (France) and Borealis Festival (Norway) as well as appearing as soloist with the London Sinfonietta, and the Melbourne Symphony Orchestra. He is a member of Ensemble Offspring and has collaborated with many of the world’s leading composers, including Michael Finnissy, George Benjamin, Steve Reich, Thomas Adès, Damien Ricketson, Liza Lim, Michel van der Aa and Stefan Prins and premiered over 70 new works. He is a post-doctoral researcher at the University of Nice and IRCAM, Paris and a Research Fellow at the Royal Academy of Music, London.
Mr. Tim (Tim Bevitt) is a performing arts’ specialist in music, dance and drama. He is an entertainer, workshop leader and educator. His reputation has spread as an inspirational teacher and mentor with his special ability to connect with children and adults alike and is highly sort after as a children and family entertainer.
From 1990 to 2008 David Pereira was Senior Lecturer in Cello at the ANU School of Music. Now he is a Distinguished Artist in Residence there.
In 2010 David received the CityNews Artist of the Year Award, having been selected by The Canberra Critics’ Circle – ‘for making his mark on music in Canberra and the immediate region with his cello-focused David Pereira Cello Series, which demonstrated his ability to interpret different compositional styles; and for his encouragement of young associate artists which stamps him as an outstanding figure in the Canberra arts scene.’ A versatile cellist
During the last forty years David has established himself as an outstandingly versatile and leading cellist with appointments to top professional positions.He was for eleven years cellist of the Australia Ensemble (resident at the UNSW), for seven years Principal Cellist of the Australian Chamber Orchestra and for three years Principal Cello with the Sydney Symphony Orchestra.
Bach Akademie Australia
Australian violinist and artistic director of Bach Akademie Australia Madeleine Easton is an established star on the international stage known for her versatility and expertise in the world of violin playing. This recently formed ensemble is a natural extension of her work over the last 15 years in Europe with some of the world’s greatest Bach exponents, including Akademie patron Sir John Eliot Gardiner, John Butt, Peter Shrier, and Richard Egarr. The very name itself, ‘Bach Akademie’, is intended to resemble as European an ensemble as possible, bringing the great musical tradition of Europe to Australia. Music is at the heart of the undertaking, with inventive and interesting concerts that explore the entirety of Johann Sebastian Bach’s oeuvre. Working closely with academic institutions around Australia, international soloists will offer masterclasses, individual lessons and lectures in the performance and practice of early music. From their home at St. James Church in Sydney, Bach Akademie Australia is an ensemble of the absolute highest standards who will put Australia on the map as a place of international regard and repute for the performance of J.S. Bach.
Tobias Cole is one of Australia’s most successful countertenors, travelling the country as a soloist in opera, oratorio and theatre. In Canberra he is Artistic Director of the Canberra Choral Society.
As a singer he made his U.S. debut in 2004 with the Chicago Opera Theatre playing Ottone in L’Incoronazione di Poppea, returning to sing Apollo in Death in Venice, and again in 2005 to perform Oberon in Britten’s A Midsummer Night’s Dream. Roles with Opera Australia include the title in Handel’s Julius Caesar, Medoro in Handel’s Orlando, and Oberon.
Tobias is an honours graduate of The University of Sydney music department and an Associate of London’s Royal College of Music. In 2002 he was the first countertenor to win Opera Foundation Australia’s Metropolitan Opera Young Artist Study Award, spending three months in New York at the Met.
Tobias’ reputation as a choir director has flourished in Canberra since he conducted Rautavaara’s Vigilia with Oriana Chorale in 2007. In that same year he became Musical Director of University of Canberra Chorale and in 2008 of Oriana Chorale, leaving both positions at the end of 2009 to pursue his solo career.
Leonard Weiss is an award-winning composer, conductor and performer. He is the 2016 Young Canberra Citizen of the Year for Youth Arts and Multimedia, an ACT Finalist for 2016 Young Australian of the Year and recently received a Canberra Critics' Circle Award for Music. Leonard holds a Bachelor of Music from the Australian National University (2013) and a Master of Teaching (Secondary) from the University of New England (2015). Leonard has conducted and performed solo concerts in the USA and throughout Europe, including recent carillon performances along the East Coast of the USA in July 2015. In addition, Leonard is the Musical Director/Conductor of a number of ensembles in Canberra including the National Capital Orchestra and the Canberra Youth Orchestra, and featured in the 2015 Canberra International Music Festival as a Carillonist. Leonard's local musical history includes performances with the Canberra Youth Orchestra on both harp and French horn.
Claire Edwardes is a highly regarded interpreter, performer and passionate advocate of contemporary classical music as well as the Artistic Director of Ensemble Offspring. Career highlights include solo appearances at the Sydney Festival, Vivid Sydney (New Wave Sound), Huddersfield Festival of Contemporary Music (UK) and Gaudeamus Muziekweek (NL). She is the recipient of an Australia Council Music Fellowship (2014/2015) and in 2012 & 2007 she was awarded the AMC/APRA Art Music Award for Excellence in Australian Music. In 2005 she was the MCA/Freedman Fellow and in 1999 was named Symphony Australia Young Performer of the Year. Highlights in 2015 include concerti with the Melbourne Symphony, WAYO, Canberra Symphony and Sydney Conservatorium Wind Symphony.
Jason Noble Clarinet Jason Noble is an in-demand Bondi clarinettist specialising in all members of the clarinet family including the bass clarinet, saxillo, clarinis and glove bagpipe. He has been an integral member of Ensemble Offspring since 2002 featuring in such projects as Bargain Garden, Fractured Again and The Secret Noise. Jason has twice travelled to the Afghanistan National Institute of Music in Kabul as an educator and clarinet teacher. He has collaborated variously with popular musicians Sally Seltmann and Holly Throsby, the indigenous women’s choir of the Tiwi Islands and most recently performed with Nick Wales and the Shaun Parker Dance Company in the production 'Am I'. Jason performs regularly with Halcyon, soprano Jane Sheldon and The Song Company.
The Canberra Youth Orchestra is the only full youth training symphony orchestra in the ACT, bringing together the city's finest young musicians aged 15 to 25. Conducted by Leonard Weiss, the CYO performs a diverse range of repertoire. Their 2016 concert series, Icons, highlighted symphonies by Tchaikovsky, Dvořák, Sibelius and Brahms and recent concerts have featured Louise Page OAM and renowned Juilliard alumni Drs Edward Neeman and Stephanie Neeman. The Canberra Youth Orchestra also prides itself on regularly performing Australian and world premieres, partnering with contemporary composers to provide Canberra audiences with the experience of a living music culture. As well as CYO’s Llewellyn Hall concert series, other regular performance opportunities include being featured in the Canberra International Music Festival, at the High Court, performing at interstate and international tours, collaborating with international guests visiting the ACT, and other performances as opportunities arise.